Малаш О. - Дівочий портрет у ціннісному вимірі болгарської лінгвоетнокультури (на матеріалі фольклору болгар України) (2020)

  ARCHIVE (All issues) /     Content (2020, Issue 59)Ukrainian English

Malash Oleksandra

Maiden Portrait in Axiological Dimension of Bulgarian Linguo-Ethnic Culture (case of the Ukrainian Bulgarians’ folklore)

Abstract: The paper deals with the maiden axiological portrait reconstructed on the materials of folk songs recorded by different scholars from the Bulgarian migrants in Ukraine.The Bulgarian ethnical minority has been existing in Ukraine since the end of the 18th century. The members of the present-day Bulgarian ethnical community are the descendants of migrants from the Bulgarian lands had been annexed by the Ottoman Empire. These migrants had settled in the Southern Ukrainian prairies in present Odesa, Mykolaiv and Zaporizhzhia regions. Some settlements had been also founded in the Crimea.Now the Ukrainian Bulgarians speak their native language and preserve their traditions, including the authentic folklore. This archaic mode of the lingual activity could help researchers to revive some peculiarities of the national worldview as a whole and the values hierarchy as an element of this national world image.The author analyzes texts of the songs and the aim is to reveal any stereotyped expressions, metaphors and comparisons in these texts. Several signs of the Bulgarian ethnic culture holding the potential to form the traditional image of the Bulgarian girl are in focus of the research. In addition to it, the article provides an analysis of accomplishments and values perceived as key factors in creation of the female ideal. Analyzing the traditional Bulgarian maiden portrait in the migrants’ folk songs leads us to the conclusion that there are some exclusively important values of a "valid" girl in the Bulgarian linguistic worldview. The lingual modes of expression varies from lexemes and phrases (the girl’s symbolic name, derived from something positive in the traditional culture) to the expanded descriptions of a maiden’s look (white skin, black eyes, fair hair, slim waist, childness etc.) and her behavior, skills, talents.

Keywords: anthropological linguistics, Bulgarians in Ukraine, ethnic symbols, linguoculturology, folk song, aesthetic values.



Author(s) citation:

Cite:
Malash Oleksandra (2020). Maiden Portrait in Axiological Dimension of Bulgarian Linguo-Ethnic Culture (case of the Ukrainian Bulgarians’ folklore). Academic Papers of The Vernadsky National Library of Ukraine, (59) 31-44. (In Ukrainan). doi: https://doi.org/10.15407/np.59.031


References:

  1. Andriushchenko, I. A. Nedeva, V. B. (2007). [The Crimean Bulgarians]. In U krymskii oseli. Virmeny. Hreky. Bolhary. Nimtsi. Ukraintsi [In the Crimean home. Armenians. Greeks. Bulgarians. Germans. Ukrainians] (pp. 50-88). Simferopol: Di-ai-pi. [in Bulgarian and Ukrainian].
  2. Honchar, N. M. (2013). Leksyka vesilnoho obriadu u bolharskykh hovirkakh Podunav’ia [The vocabulary of the wedding ceremony in the Bulgarian idioms of Podunav’ia]. Mova: naukovo-teoretychnyi chasopys z movoznavstva [Language: scientific and theoretical journal of linguistics], 20, 139–144 [in Ukrainian].
  3. Iermolenko, S. I. (2009). Movno-estetychni znaky ukrainskoi kultury [Lingual and aesthetic signs of the Ukrainian culture]. Kyiv: Instytut ukrainskoi movy NAN Ukrainy. [in Ukrainian].
  4. Zadorozhniuk N. I. (1996). Vesilna obriadovist bolhar, shcho zhyvut v Ukraini [Wedding ceremony of the Bulgarians living in Ukraine]. In L. K. Vakhnina, L. H. Mushketyk and V. A. Yuzvenko (Eds.), Pid odnym nebom. Folklor etnosiv Ukrainy [Under one sky. Folklore of several ethnic groups in Ukraine] (pp. 45–55). Kyiv: Holovna spetsializovana redaktsiia literatury movamy natsionalnykh menshyn Ukrainy. [In Ukrainian].
  5. Zadorozhniuk N. I. (1994). Semantyka symvolichno-obriadovoi systemy bolharskoi vesilnoi poezii [The semantics of the symbolic and ceremonial system of the Bulgarian wedding lyrics]. Extended abstact of PhD dissertation (Slavonic Folklore). Kyiv [In Ukrainian].
  6. Kaufman N. (1982). Narodni pesni na bulgarite ot Ukrainska i Moldavska SSR v 2 t. [Folk songs of Bulgarians from Ukrainian and Moldavian SSR in 2 vol.] (Vol. 1). Sofia: BAN, 1982 [in Bulgarian].
  7. Kaufman N. (1982). Narodni pesni na bulgarite ot Ukrainska i Moldavska SSR v 2 t. [Folk songs of Bulgarians from Ukrainian and Moldavian SSR in 2 vol.] (Vol. 2). Sofia: BAN, 1982 [in Bulgarian].
  8. Kozhukhovska L. (2015). Prykras zhinochykh symvolika [The symbolics of women’s finery]. In V. P. Kotsur, O. I. Potapenko and V. V. Kuibida (Eds.), Entsyklodepychnyi slovnyk symvoliv kultury Ukrainy [Encyclopedic dictionary for symbols of the Ukrainian cultural symbols]. Korsun-Shevchenkivskyi: FOP Havryshenko V. M., 665–667 [in Ukrainian].
  9. Kononenko V. I. (2013). Symvoly ukrainskoi movy [Symbols of the Ukrainian language]. Kyiv; Ivano-Frankivsk: Vyd-vo Prykarpat. nats. un-tu im. V. Stefanyka. [in Ukrainian].
  10. Nozdrina L. F. (2010). Folklor bolgarskih sel Berdyanskogo rayona Zaporozhskoy oblasti [Folklore of the Buldarian villages in Berdiansk district, Zaporizhya region]. Berdyansk; Zaporozhye: Dikoe Pole. [In Russian].
  11. Pavlova I. (2018). Shrihi ot portreta na suvremennata bulgarska zhena v edin tsennosten model [Lines from the portrait of the up-dated Bulgarian woman in one axiological model]. Sofia: Softtreid. [in Bulgarian].
  12. Tsvetko S. (2005). Bulgarski narodni pesni ot Ukraina i Krim [Bulgarian folk songs from Ukraine and the Crimea]. Sofia: Akademichno izdatelstvo "Marin Drinov". [in Bulgarian].
  13. Chervenko O. B. (2012). Bolharskyi folklor Pivnichnoho Pryazov’ia [Bulgarian folklore of the Northern Pryazov’ia]. Berdyansk: no publ. [in Ukrainian].
  14. Shabashov A. V., Chervenkov N. N. and Subbotin L. V. (2003).Chiyshiya: ocherki istorii i etnografii bolgarskogo sela Gorodnee v Bessarabii [Chiyshiya: sketches on the history and ethnography of the Bulgarian village Horodnye in Bessarabia]. Odessa: Astroprint, 2003 [In Russian].